![]() ![]() The singer has become so despondent that he feels like he's already dead inside. The singer is saddened or disgusted by his own image, just like before. The singer is surrounded by emotional pain and suffering, and can't seem to escape it.ĭespite his attempts to find peace or contentment, the singer feels that such a state is unattainable. The singer views his loneliness as a chronic and inescapable condition. The singer has turned to drugs or other vices as a way to cope with his dissatisfaction. The singer feels trapped in a monotonous and unfulfilling job. The singer criticizes the modern lifestyle and work culture, which he sees as a kind of prison. The singer is unable to locate or recover his lost mind. The singer is still accepting of his own mental state, even if others may see it as a problem. The singer has fully embraced his own madness and instability. The singer repeats this chorus line as a kind of mantra or affirmation. The singer is indifferent to his own declining mental state, and may even find it liberating in a way. The singer is now suggesting prayer as a way to cope or find peace. ![]() The singer's optimistic outlook has faded and become pessimistic.ĭespite his bad mood, the singer wishes he could escape and have fun like a child. The singer may be referring to his own past mistakes or regrets. The singer is still sitting on the uncomfortable and oppressive chair, which feels like it's on fire. The dim lighting creates unsettling shadows that make the singer uneasy. The singer has two red candles in the room with him, which may suggest a sinister or ritualistic atmosphere. The distorted image seems to be morphing or transforming in some way. The distorted image is staring back at the singer, making him scared or nervous. The singer sees a distorted version of himself, as if he's losing his sense of identity. The singer notices something, possibly a reflection or a hallucination. The singer is numb and indifferent to his own physical pain. The environment around the singer is also oppressive and unfriendly. The singer is in a bad mood and feels trapped and uncomfortable. The repetition of "I don't mind" throughout the song gives the impression of someone resigned to their fate. The song wraps up with the narrator imploring the listener to get on their knees and pray. He sees his reflection and cries, and all he wants is to play. He's desperately searching for hope but finds none. Loneliness isn't just a phase it's where he grazes. The narrator is alone and trapped in a corporate prison, working all day and feeling strung out anyway. The lyrics suggest this depression has been brought on by a mistake the narrator made, and the "pink cloud" of happiness has turned to grey. The candles around him burn with a red flame, casting shadows everywhere. He sees his reflection molded in clay, and it stares back at him, changing its shape. The song opens with the narrator on an "angry chair" surrounded by walls that seem to be closing in on him. The standard deviation for this album is 15.4.Alice in Chains's "Angry Chair" is a poignant examination of how depression can feel like a prison one can't escape. This album has a Bayesian average rating of 79.1/100, a mean average of 78.5/100, and a trimmed mean (excluding outliers) of 79.4/100. This album is rated in the top 2% of all albums on. (*In practice, some albums can have several thousand ratings) The second average might be more trusted because there is more consensus around a particular rating (a lower deviation). However, ratings of 55, 50 & 45 could also result in the same average. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. This figure is provided as the trimmed mean. Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. You can include this album in your own chart from the My Charts page! MTV Unplugged collection Total Charts: The total number of charts that this album has appeared in. Latest 20 charts that this album appears in: Sort ranksĭie 100 besten Live Alben und Konzertfilme by VISIONS (2017) ![]()
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